]Thomas Havlik, geb. 1978 in Scheibbs, NÖ.
Mitglied der „GAV - Grazer AutorInnen Versammlung“.
Zahlreiche Veröffentlichungen in Literaturzeitschriften und Anthologien sowie im Rundfunk.

Initiator/Organisator und Jurymitglied von 2001-2013 des von der "Litges. St. Pölten" durchgeführten "Litarena-Literaturpreis für Autor/innen bis 27".
Redakteur der von der Litges. St. Pölten herausgegebenen Literaturzeitschrift "etcetera".
Moderator der ersten Ausgaben von 2003-2011 des Litarena-Lounge Poetry Slams.

Schriftsteller, Soundpoet, Performance und Radioarbeiten, akustik-poetry Konzerte.

On stage he's combining voice live-processings with prepared micropieces of letters, alphabetic strings, phonems and textsnippets.
Employment with the Dadaists, Surrealists, Futurists. Confrontation with the Vienna Group and its view of language as a material.

Seit 2013 Mitbegründer und co-editor des Soundpoetry online Magazins Huellkurven, dedicated to sound poetry, poésie sonore, lautpoesie, noise poetry, sound-text composition, auditive poesie, audio poetry etc.

Anthologiebeiträge zuletzt u.a.:
6 ins Polnische übersetzte Gedichte in:
Anthologie österreichischer Gegenwartslyrik in polnischer Übersetzung:
"pod język wkładam ci słowo" (dt. Titel: ich lege ein wort unter deine zunge),
Hrsg. von Ryszard Wojnakowski.

Soundpoetry Stücke „Syllables Shooter“ und „Article me“ auf: DOC(K)S 2014

Thomas Havlik, born 1978, in Scheibbs, Lower Austria

Currently living and working in Vienna. Autor, works on the boarders of sound- visual and performance-poetry. Many Publications in Literaturemagazines, in Text and Audioanthologies and on Radio.  On stage he´s combining voice live-processings with prepared micropieces of letters, alphabetic strings, phonems and textsnippets. co-editor of the vienna based online soundpoetrymagazin “huellkurven”, dedicated to sound poetry, poésie sonore, lautpoesie, noise poetry, sound-text composition, audiditve poesie etc.

Employment with the Dadaists, Surrealists, Futurists. Confrontation with the Vienna Group and its view of language as a material. I was subsequently fascinated by the artistic possibilities of electro-acoustic processing of speech. Henri Chopin, Jaap Blonk and Lettrists. Since then I have attempted for my own approach that connects the poetics of space, light and movement. Emphasis on sound poetry, performance and radio work in contrast to the conventional writing...

"I was subsequently fascinated by the artistic possibilities of electro-acoustic processing of speech. Henri Chopin, Jaap Blonk and Lettrists. Since then I have attempted for my own approach that connects the poetics of space, light and movement. Emphasis on sound poetry, performance and radio work in contrast to the conventional writing..."